Under these conditions, with contrast and brightness at a maximum, there is no room for a full range of tones and the scene tends to look a bit flat. Usually, when photographing colors such as red, orange, or green under high-contrast conditions, it's easy for an RGB color channel to become overloaded - as if individually too bright. The result is called the Color Chrome effect, available in-camera in two strengths: Weak or Strong. To my eye, and of course you're free to disagree, I find these colours just wonderful to look at.įujifilm sought to bring back those rich and deep tones of Fortia SP for their new Fujifilm GFX50s medium format camera. To give you an idea of what colours you could achieve on Fujichrome Fortia film, I've included some slides below:Īs you can see, the colours on Fujichrome Fortia SP are rich, vibrant, and deep. The ultra-saturated look that Fortia delivered attracted a cult following, but because it was only made in limited quantities, not many photographers had the chance to try it - until now! Fortia famously promised "more contrast and color than Velvia". The inspiration for this look comes from FUJICHROME Fortia, a color reversal film that was only available in Japan between 20. The inspiration behind the Color Chrome effect The GFX 50S included Fujifilm's "film simulations", much like Fujifilm's previous APS-C sensor X-series cameras, but added an extra feature for this medium-format beast: the Color Chrome effect. And all for considerably less money than the, at the time, current crop of digital medium format cameras. It featured a sensor 1.7x larger than your usual full-frame 35mm digital camera sensor, in a small body, and promised incredible resolution and that oft-desired "medium format look". Back in 2017, camera nerds (myself included) were very excited by the arrival of Fujifilm's first digital medium format mirrorless camera: the Fujifilm GFX 50S.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |